Two ways to answer that question and the only difference between the two is if you have paid your reservation fees. If so or not, then just focus on the following things you need to prepare when you Check In to our property: 1. Identification Card 2. Reservation Payment 3. Full Payment upon check in IDENTIFICATION CARD. The only ones we recognize are Government-Issued Identification Cards that have holograms in them and examples of these are the following: 1.Passport 2.Driver License 3.Universal Multi-Purpose ID (UMID) 4.Comelec ID 5.Philippine Regulatory Commission (PRC) 6.SSS/GSIS ID Card 7.Public School Identification Cards 8.Valid NBI/PNP Clearance Documents 9. Postal ID Unfortunately we do not allow the following: 1. BIR ID – No 2. PhilHealth ID – No 3. Other laminated cards Laminated ID Cards can be reproduced and cannot be a stable form of identification. All cards must be valid (read: not expired) and that the image, information are readable and they’re signed. SECURITY DEPOSIT. These are incidental deposits that you must make as a precautionary fund that the property may own if damages incur in the property that are but not limited to: stained linens, broken fixtures, and other similar incidents. After inspection of the premises, the guest can retrieve their deposits upon Check Out. Incidental Deposit is standard PhP500.00 or 15$ BOOKING PAYMENT. Depending on the reservation, each guest must pay their stay in the hostel. Payment must be 100% of the said booking made. Extensions of stay are okay provided there are still available beds that can be booked at a moment’s notice. Blog by 8HOSTEL QUIAPO MANILA Quiapo Church, officially known as Minor Basilica of the Black Nazarene, is a Roman Catholic church located in the District of Quiapo, Manila, in the Philippines. The church is one of the most popular churches in the country. It is home to the Black Nazarene, a much venerated statue of Jesus Christ which many people believe has miraculous attributes. The church was painted cream after the original Mexican Baroque edifice was burned down in 1928. It is expanded to its current form in 1984 for accommodation of thousands of devotees. Also known as St. John the Baptist Parish, the church at present belongs to the Archdiocese of Manila. The current rector is Rev. Msgr. Jose Clemente Ignacio, former Episcopal Vicar, Chancellor and Oeconomus of the Archdiocese of Manila, who succeeded Msgr. Josefino Ramirez (the Vicar General of the archdiocese) upon the latter's appointment as rector of the Archdiocesan Shrine of the Divine Mercy in Maysilo, Mandaluyong City. Assisting Msgr. Clem are his Parochial Vicars Rev. Fr. Fernando Carpio, Rev. Fr. Frank Villanueva, Rev. Fr. Venusto Suarez and Rev. Fr. Ricardo Valencia. 1586 The mission outpost of the Franciscans from Sta. Ana de Sapa became a town by the decree of Governor General Santiago de Vera being the first Parish Priest, Fr Antonio de Nombella, OFM. The Archbishop of Manila had his curia or Chancery office here. 1603 The Church of light materials was burned due to the rebellion of the Chinese. 1685 The parish was transferred to the care of the Jesuit by Governor General Sebastian Hurtado De Corcuera only to be returned to the Diocesan Priest in 1639. 1645 The Church was destroyed due to strong earthquake. 1728 The Archbishop of Manila, Bermudez G. de Castro received the Pallium from the Bishop of Cagayan. 1767 The Recollect Fathers who had a confraternity of Jesus Nazarene in Intramuros present the Image of Nazarene during the incumbency of Archbishop Basilio Sancho. 1791 The Church was burned. 1863 Church together with many buildings and Manila Cathedral were demolished. 1864 Construction of Stone Church began by Father Eusebio de Leon and terminated by Father Manual Roxas. 1929 Church was destroyed by fire and constructed began by Father Magdaleno Castillo, as per plans by architect Juan Nakpil in1933. 1975 Bishop Hernando Y. Antiporda and Father Raymundo Costalas were murdered. 1981 Msgr. Jose C. Abriol constructed three buildings of Quiapo Parochial School at R. Hidalgo which were managed by the Sister of St. Paul de Chartres. 1984 Under the supervision of Msgr. Jose C. Abriol the church was remodeled by Arch. Jose Ma. Zaragoza and Engr. Eduardo A. Santiago. Blessed by His Eminence Jaime Cardinal Sin on September 28, 1987. 1988 Church was made Basilica thru the initiative of Jaime Cardinal Sin and Papal Nuncio, Most Rev. Bruno Torpigliani. The Altar of San Lorenzo Ruiz was blessed by the Nuncio on February 1, 1988. 1989 Through the generosity of the people of Quaipo and Devotees of the Nazareno. Five Bronze Bells and Three Electronic Clocks were acquired from Holland. 1992 Sacerdotal Golden Julbilee of Msgr. Abriol The Black Nazarene is a life-sized, dark-colored, wooden sculpture of Jesus Christ held to be miraculous by many Filipino devotees. Its original carver is an anonymous Mexican carpenter, and the image was transported by a galleon from Acapulco, Mexico. The image is currently enshrined in the Minor Basilica of the Black Nazarene in Quiapo, Manila, Philippines where novena celebrations are held every Friday throughout the whole year. Roman Catholic tradition holds that the Black Nazarene came from a boat that caught fire, turning it from its original white into black or charred complexion. The Black Nazarene Procession "Pasan" The Black Nazarene is carried into the streets for procession in a "Caroza" or carriage.The feast of the Most Holy Black Nazarene is celebrated every 9 January while novena masses begin on the first Friday day of the year, in honor of its weekly novena mass held every Friday. The Black Nazarene is also famously noted for its devotees who walk the procession streets barefoot, without shoes or sandals as to imitate Jesus Christ on his way to Mount Calvary. The intensity of the devotion to the Nuestro Padre Jesus Nazareno flourished and spread throughout country. The prefabricated steel sections of the church were manufactured in Binche, Belgium by La société anonyme des Enterprises de Travaux Publiques. In all, 52 tonnes of the steel sections were transported in eight separate shipments from Belgium to the Philippines, the first shipment arriving in 1888. Belgian engineers supervised the assembly of the church, the first column of which was erected on September 11, 1890. The walls were filled with mixed sand, gravel and cement. The stained glass windows were imported from the Henri Oidtmann Company, a German stained glass firm, while local artisans handled the finishing touches on the church. The church was raised to the status of a Minor Basilica by Pope Leo XII,June 24th, 1890. Upon final completion on August 16, 1891, the Basilica Minore de San Sebastian was consecrated by the then Archbishop of Manila, Bernardo Nozaleda. Now you might want to ask: ‘Ok that’s all well and good, but you said Gustave Eiffel designed the Church. How does he actually fit in to your story?” As we mentioned earlier Alexandre Gustave Eiffel had been involved in the design of San Sebastian Church. It has been said that Eiffel, the engineer behind the Eiffel Tower and the steel structure within the Statue of Liberty was involved in the design and construction of San Sebastian Church. The connection between Eiffel and San Sebastian Church was reportedly confirmed by Philippine historian Ambeth Ocampo while doing research in Paris. Ocampo published a report stating that the prominent architect I.M. Pei had visited Manila in the 1970s to confirm reports he had heard that Eiffel had designed an all-steel church in Asia. When Pei inspected San Sebastián Church, he reportedly pronounced that the metal fixtures and overall structure were indeed designed by Eiffel. The official catalogues of Eiffel make definite reference to the design and exportation of a church in Manila in 1875, thirteen years before construction of San Sebastian Church actually began. If true, this would still not preclude the possibility that Eiffel had designed the metal structure of the church, with Palacios completing the actual design work. The Church has two open work towers and steel vaulting. From its floor the basilica’s nave rises 12 meters (39 ft) to the dome, and 32 meters (105 ft) to the tip of the spires. The interior of the church incorporates groined vaults in the Gothic style permitting very ample illumination from lateral windows. The steel columns, walls & ceilings were painted by Lorenzo Rocha and his students to give the appearance of marbel and jasper. Trompe l’oeil paintings were used to decorate the interiors of the church. True to the Gothic revival spirit of the church are its confessionals, pulpit, altars & retablos designed by Lorenzo Guerrero and Rocha. The sculptor Eusebio Garcia carved the statues of holy men and women. Six holy water fonts were constructed for the church, each crafted from marble obtained from Romblon. In recent years, San Sebastian Church has encountered problems with its structural integrity. The steel structure has been rusting and corrosion has set in, to which the sea breezes from nearby Manila Bay contribute. In 1998, it was placed on the biennial watchlist of the 100 Most Endangered Sites by the World Monuments Funds, though it was not retained in the subsequent watchlists. San Sebastian was a declared National Historical Landmark by President Ferdinand Marcos through Presidential Decree No. 260 in 1973. State funding was accorded to the church through the National Historical Institute which undertook restoration in 1982. The Recollect community has likewise expended funds for the church’s maintenance and restoration. On May 16, 2006, San Sebastian Church was included in the Tentative List for possible designation as a World Heritage Site, on account of its architectural and historical heritage. Keeping in mind the potential problems facing the Church here is an article I found written by: Cris Larano for The Wall Street Journal and published on: January 18th, 2013. Rescuing Manila’s Steel Church By Cris Larano It has survived World War II, at least 11 major earthquakes and numerous typhoons that have ravaged Manila over the past 120 years. And the Basilica of San Sebastian–the only all-metal church in Asia–would seem to the casual visitor to be strong enough to withstand even more calamities through this century. But something is threatening the only neo-Gothic church in the Philippines. It isn’t readily visible on its lightgreen façade or twin bell towers, nor in its interiors, which are faux finished to look like marble and stone. Over the years, rain water has seeped into the hollow columns, corroding them from within. Close inspection will reveal the problem eating away at the steel doors, columns and walls, all pre-fabricated in Belgium in the late 1880s and shipped to the Manila in nine steamships. The conservation board is pulling together a game plan to save the church, which holds masses daily and was designated as a national historical landmark in 1973. Much of the restoration and conservation strategy will depend on the results of a comprehensive diagnostic survey of the church funded by a $92,000-grant from the U.S. ambassador to Manila. It’s expected to be completed by the middle of 2013. The Augustinian Recollects, a Roman Catholic religious order of friars and nuns founded in Spain during the 16th century, have funds for the restoration that will follow, but early indications suggest their funds won’t be enough. Ms. Paterno says she can’t estimate how much the restoration will cost, likening the question to a doctor being asked how much treatment will cost before tests have been completed on a patient. In addition to repairing the walls and the columns, workers must restore the murals that adorn the church’s interior. Augustinian Recollect priest Rene Paglinawan, secretary to the conservation board, said workers in earlier repair efforts used cement and cloth to plug leaks in the columns, exacerbating the corrosion problem. He said the conservation group, formed in 2008, wants to ensure the work is done right, regardless of time and cost. You have 3 million pounds of steel riveted and screwed together. Each seam is a potential source of water leak that causes corrosion,” said Tina Paterno, the conservator and executive director of the San Sebastian Basilica Conservation and Development Foundation Inc. who spent a decade as an architectural conservator in New York. Completed in 1891, the church was designed by Spanish architect Genaro Palacios, then the director of public works in Manila. Several churches built before the basilica were destroyed by the frequent earthquakes that visit the Philippines, which sits in the Pacific Ring of Fire. “This church was built to withstand strong earthquakes…and the structural engineers give us the good news that it is probably stronger that it needed to be because there were no industrial standards then, so they covered their bases,” said Ms. Paterno. “It’s also very high quality steel.” Volunteers work on the church during weekdays, in between masses held in the morning and around dusk. Their ingenuity is evident in the solutions they have devised to undertake the diagnostic survey. On a recent Monday, for example, Alix dela Fuente and Joaquin Benares, both students on breaks from their studies abroad, tinkered with a drone that will fly up to the church’s dome to shoot video needed to assess the damage on the structure. The dome is sealed and is over 30 feet above the church floor. Corrosion scientist Robert Baboian, a consultant for the restoration of the Statue of Liberty, is also among the many people extending a helping hand pro bono. Florence Fajatin, 64, a long time parishioner and volunteer at the church, looks forward to the restoration getting under way. “If you look closely, you’ll see rust is eating away the steel. And when it rains, you’ll see water dripping down from the ceiling,” Ms. Fajatin lamented. Novelita Costa, 28, dreams of saying her wedding vows at the church, underscoring its special appeal to Catholic Filipinos. “Many couples, celebrities included, marry here because this Basilica is made of steel. They believe their marriage, like this church, will be as strong as steel. That it will last forever,” said Ms. Costa. If you are a tourist travelers don't for get to visit a one of historical church in manila and if you looking a very cheap and affordable hostel to stay you can visit us or view our website for details and more historical places near in our hostel, click image map for your travel guide from our 8hostel location to historic san Sebastian church. |
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February 2018
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